Recently I was contacted by the innovative and inspiring Markus Cremers, whom I first met in Germany, 2002. At the time he’d heard me singing at a friends house in Koln, and invited me to his repurposed water tower/ recording studio in Oberhausen. I went, and this was made. It’s a sweet memory of a bygone era.
by Anna Liebzeit
A review of audio!
“In a suspended dimension, such as the protagonists’ lives, Anna Liebzeit’s music becomes a decisive linguistic element: now enveloping, now sinister, it follows the hysterical trend of their wavy relationship, disclosing that penumbra imbued with a lost, non-durable, intimacy.”
Simone Nebbia Arsenale Theater, Venice – Biennale Teatro 47, July 2019
Venice was a treat, so beautiful… congratulations to the entire LOVE and SHIT team.
This piece has seen a few incarnations over the years with this version seeing me play with text from Margaret Cameron’s In Regard.
Looking through not at the looking and listening through not at the listening speak gently as a mammal loves to love, until the bending arms of language accept you
From 2010-2013 Performance Practicum was a space of creative development and practice. With mentors Margaret Cameron, Helen Sharp and John Howard participants could explore perceptual practice and devise new work. Here’s some pics and sound from that time.
I went through a phase of recording covers as a way of trying new things with music and software. This is song came out of that phase. You can hear the rain on the roof of the shed that was my studio at the time. Keeping it real. x